Sunday
Apr172011

Carmen Chan's "for Warren"

'for warren' from Carmen Chan on Vimeo.

Here's a video of a performance of a collective piece by Carmen Chan and myself that happened in March 2010 in the Shepparton, Vic. Regional Art Gallery.  As Carmen writes on her blog:

"A performance of the score 'for warren' at the Shepparton Art Gallery in March 2010. 

I made the score while I was in Piteå and sent them to Warren Burt who was in Woollongong at the time. He then realised the pages with the Swedish graphic synthesis software Coagula, and requested it to be improvised with a snare drum and a single pair of crotales. Well we couldn't find crotales conveniently for the performance so we decided to use salad bowls instead.

Warren Burt (electronics)
Carmen Chan (snare drum, bowls)"

It's a lovely performance - very subtle and delicate.  You'll want to turn the sound UP on your speakers, not to be blasted out by the sound, but to hear all the delicious little delicate things that Carmen is doing.  Enjoy.  And if you want to see it bigger - here's the link to Carmen's vimeo site: http://www.vimeo.com/21291032

 

Monday
Apr112011

I'M BACK (as a certain ex-Governor of California once said)

Apologies for disappearing from the blog-o-sphere for so long, but as they say in the funnies, we've been busy.  Just after the New York concert (see below) Catherine became ill, and we had to return to Australia for her to receive proper medical care.  She's fine now, and recovering well.  Meanwhile, we were scheduled to move from Wollongong, NSW to Daylesford, Vic, in February, and because of her illness, I had to do all of the work for this myself - with the able assistance of several friends, of whom I can single out Malcolm Ellis for services above and beyond the call of duty.  Many thanks, Mal!  And everyone else who helped as well.  Then, once we were moved, by around mid-February, I suddenly landed not one, but two jobs.  I'm teaching music theory and related subjects at Box Hill Institute in the eastern suburbs of Melbourne from Tuesday - Thursday, and audio engineering at Bendigo Regional Institute of TAFE on Fridays.  Needless to say, being thrown in the deep end of those courses took, and is taking, a LOT of time.  So for the past two months, I've been playing catch-ups with teaching during the week, and unpacking boxes at home on the weekends, when not preparing for the week's teaching. Time to do creative work - or even blogging, has been at a minimum.

 

Which is not to say that art things have not been happening.  Things seem to have a momentum of their own, which I guess is one of the aims of making creative work and releasing it into the world.  Most recently, Speak Percussion played my "Vibraphone and Tuning Forks," which I wrote for them last year, at the Castlemaine State Arts Festival, on April 4th.  Castlemaine is just 1/2 hour drive from Daylesford, our new home, so we went, and the program was splendid.  A piece I especially enjoyed was Mark Pollard's new work, from last year, for Vibraphone 8 hands.  An absolutely lovely piece!  Congrats, Mark.   On 19 February, in London, my new video "Free Music: Percy Grainger and Beyond" premiered at the Celebrating Grainger 2011 Festival, which also commissioned it. I hope to be showing this video in various places over the next while. Also, for those of you of a theoretical bent, my article "The Wilson Installations" has finally appeared in Perspectives of New Music - Vol. 48, no. 1.  For those who aren't able to access Perspectives in a local library (they don't put current issues on-line), you can download the article here.  Coming up, on May 28 and 29, in Melbourne, there is an Astra Choir concert in which Michael Kieran Harvey will be playing my five minute long piano work "Aardvarks II: Mr. Natural Encounters Flakey Foont!" from 1971.  More details on that as we get closer to the date.

 

The move to Daylesford, and back to the Melbourne area, has been a good one.  It's great to be back in Victoria, around a thriving arts scene and close to many friends.  And gradually, as things settle down, I'm returning to a little bit of composing activity.  More on that, as it evolves.  And yes, I eventually will return to finishing off the posts on "My History with Music Technology."  At the moment, most of my archives are in boxes in a warehouse in Ballarat, 40 minutes drive away from here.  That will be one of the on-going projects of the next few months - getting that archive unpacked and sorted.  Also, an upcoming long-term project will be releasing my CD archive as digital downloads.  This too, will take time, but it will happen.  So stay tuned, more info is to come. 

 

Friday
Dec242010

Concert at EMF Studios New York - Dec 20, 2010

Monday, Dec 20, I gave a small concert at the new Electronic Music Foundation studios in New York.  Organized by Joel Chadabe, it was a lot of fun. Thanks Joel and all the EMF staff and thanks to Joel for recording the gig!  A full house of about 30 attended.  Here's the concert for your listening pleasure.  The piece is about 45:20 long.  It was made with by alternating performances on my netbook controlled by a keyboard and a box-o-sliders with performances on my iPhone processed through the Korg Mini-KP effects unit.  Lots of quotes, lots of found objects, and it has a nice sort of arc to it.  If you want a copy of the file, go to www.zebraandmoose.com/sounds/WarenBurt_Concert_EMF_Dec20.mp3.  In Google Chrome, at any rate, a player will come up, and if you right click on the player, you can download the file.  Happy Holly Daze.  

 

Friday
Nov192010

Subharmonics and Srutis - Live, 12 November 2010

Last Friday, Catherine and I performed our new collaborative piece "Subharmonics and Srutis" for the Dream Stream Festival, part of Ione's 15 Annual Dream Festival, from the Deep Listening Institute.  The performance was web-cast on Ustream, which also recorded it.  The performance is described in the blog post below, and now, here's the video.  

Ustream records from the moment you press "record" and "broadcast," and the videos can't be edited afterwards.  So, in order to avoid boredom (watching us sitting around waiting for the top of the hour), fast forward to about 4:55, our performance starts there, and goes for 19 minutes.  There are ads aplently, running across the bottom of the screen - that's the nature of Ustream.  The video is pretty low-res, but the sound is surprisingly good.  We enjoyed doing this performance, and we enjoyed seeing the recording.  We hope you enjoy it too.

And if you want to see other performances from the Dream Stream Festival, just go to

http://deeplistening.org/site/content/dream-stream-festival-2010-0

where all the performances are archived.

Thursday
Nov112010

Live Internet Performance from Wollongong!

Warren Burt and Catherine Schieve will present "Subharmonics and Sruti Boxes" for computer
and sruti boxes (Indian drone harmoniums) live, on the internet on Friday 9 am Australian East Coast time (see below for other time zones) at http://www.ustream.tv/channel/drea-stream-festival-2010.
The 20 minute drone piece, streamed live, will be performed from their music room in Wollongong, and features the just intonation drones of Burt's computer (playing a sub-harmonic scale with all subharmonics based on 17) with Schieve's orchestra of 6 specially built and tuned srutis.  
The piece is presented as part of the Dream Stream Festival, October 18 - November 18, 2010, which is part of Deep Listening Institute's "Ione's 15th Annual Dream Festival."  Ione, who in addition to her work as a writer and artist, is a practicing psycho-spiritual therapist, has been researching the intersection of dreams and creativity for over 3 decades.  Every year, her Dream Festival brings together artists and performers working with and through the dream state.
The piece will be recorded, and available for future listening on the Deep Listening Foundation 
website at http://deeplistening.org/site/content/dream-stream-festival-2010-0.
Here are some times around the world when you can see the performance live:
WEDNESDAY 11 NOVEMBER
Honolulu: Noon
Los Angeles: 2 pm
Chicago: 4 pm
New York: 5 pm
St Johns: 6:30 pm
London: 10 pm
Paris: 11 pm
THURSDAY 12 November
Moscow: 2 am
New Delhi: 3 am
Beijing: 5 am
Tokyo: 6 am
Adelaide: 8:30 am
Sydney: 9 am
Auckland 11 am
If you can, tune in, and enjoy!